Results for "Padma"

The supreme goddess of prosperity, beauty, and grace. Rising from the Churning of the Cosmic Ocean upon a fully bloomed lotus, she chose Vishnu as her eternal consort, sealing the …

… lden egg; Viṣṇu Purāṇa the lotus from Viṣṇu's navel — hence Padmanābha. Brahmā personifies Mahat, animated by Rajas Guṇa.

- **Primary scripture.** Padma Purāṇa, chapter 38, for the Mura-demon origin story and Ekādaśī's personification as a goddess born from Viṣṇu; Bh …

… , and within its petals Brahmā is born — hence the epithet *Padmanābha* ('the lotus-navelled one'). Brahmā, finding himself amid darkness, descends the lotus stalk for centuries s …

The supreme preserver and protector within the Hindu Trinity (Trimurti). Within Vaishnavism, he is the Supreme Absolute Reality (Para Brahman), who descends to Earth in various inc…

… strength, and the laws of cause and effect (Karma). - **The Padma (lotus)** — spiritual liberation, beauty and purity blooming unpolluted out of the mud of material life.

Why a new-moon night in Kārttika became the festival of light: the Upaniṣadic prayer from darkness to light, Lakṣmī of the Śrī Sūkta, the many stories that claim the same five days…

… at fix Lakṣmī Pūjā to Kārttika amāvāsyā, and the Skanda and Padma Purāṇa passages on lamp-offering (*dīpa-dāna*) in Kārttika — they exist in several recensions and we have not yet …

Why the day before Dīpāvalī is named after a demon: Kṛṣṇa's war on Narakāsura in the Purāṇas, the women he freed, the question of Satyabhāmā's part, the bath before dawn and the la…

… o see *naraka*. These texts often attribute the rule to the Padma or Skanda Purāṇa. We have not been able to trace that attribution to a specific chapter and verse, so readers shou …

… cāṅga* teaching on *abhyaṅga snāna* and *Yama-tarpaṇa*; the Padma/Skanda Purāṇa attributions these sources give are not independently traced here. - *Regional and oral tradition:* …

On the second lunar day after Dīpāvalī, a sister's invitation brings even Yama home: the Skanda Purāṇa's Yamunā story, the shared meal, prayers for well-being and the many regional…

… f the festival's earliest origin. No unverified Bhaviṣya or Padma Purāṇa attribution is added.

A comparative study of Brahmā, Viṣṇu and Śiva — Vedic antecedents, Upanishadic identifications, Purāṇic narratives, and the non-dual paradigm of Kashmiri Trika Shaivism.

Why an island in the world's largest Muslim-majority nation remains over eighty per cent Hindu — the empty stone throne of Acintya, the daily canang sari, the instrument-free Kecak…

Balinese Hinduism blends Purāṇic tradition with local animism and ancestor veneration. Three features set it apart from Indian practice. - **The supreme void (Acintya).** At the h…

Before Sāwan Somvār, Karva Chauth or the Friday fast for Santoshi Mata, there is the word vrata itself — older than fasting, meaning cosmic ordinance before it ever meant a vow. Yo…

… ar day, twice a month, for Viṣṇu — is prescribed across the Padma, Skanda and Bhavishya Purāṇas alike. Alongside the Purāṇas sits a whole genre of *nibandha* — digest — literature …

… ce (Varuṇa's *vratāni*); Bhaviṣya Purāṇa, Skanda Purāṇa and Padma Purāṇa on vrata prescriptions and Ekādaśī, consulted via named Purāṇa-summary compilations rather than a critical …

Already named three times over in this series' first essay as one of Purāṇic tradition's two great paths of expiation — this is the essay that finally gives Ekādaśī its own telling…

… ithout ever giving it its own essay — prescribed across the Padma, Skanda and Bhaviṣya Purāṇas alike, and one of Purāṇic tradition's two major recognised paths of *prāyaścitta* (ex …

The Padma Purāṇa, in a chapter devoted specifically to Ekādaśī's origin, tells of the asura **Mura**, a threat the *devas* c …

A six-day vow building to a single reenacted battle — and, in the moment of the demon's defeat, a transformation the Tamil retelling insists on keeping: not death, but the enemy re…

The story: the demon **Sūrapadman**, empowered by boons won through austerity, tyrannises the three worlds until Kārtikeya, born specifically to de …

- **Primary scripture.** Skanda Purāṇa, for the Sūrapadman narrative within Śaiva literature broadly, consulted via named secondary summaries rather than a critical edition …

Everyone knows Śiva's third eye burned Kāma to ash — but which text actually tells that story, and is ‘jñāna cakṣu’ (eye of wisdom) really its scriptural name? The Purāṇic source, …

… deva), and it's retold with variations in the **Matsya**, **Padma**, and **Vāmana Purāṇas**. The endings diverge in a way worth naming rather than flattening: in the Matsya and Pad …

… episode; also told, with variant endings, in the *Matsya*, *Padma*, and *Vāmana Purāṇas*. - **Classical poetry (not scripture, cited separately):** Kālidāsa, *Kumārasambhava*, Cant …

Not a gesture-by-gesture reading of the bronze — this site has that already — but the question behind it: what text actually says Śiva's dance represents five cosmic acts, what a T…

… with standardizing the bronze form. But the art historian **Padma Kaimal**, in a peer-reviewed study in *The Art Bulletin* (1999), argues this dating is partly an artifact of **Ana …

… erse. - **Art history, contested dating named explicitly:** Padma Kaimal, "Śiva Naṭarāja: Shifting Meanings of an Icon," *The Art Bulletin* 81, no. 3 (1999): 390–419 — argues for a …

Gaṇeśa's mouse, Śiva's bull, Durgā's lion, Viṣṇu's Garuḍa, Sarasvatī's swan, Yama's buffalo, Kārtikeya's peacock and Indra's elephant: where each pairing comes from in the texts, h…

… the Tamil Skanda tradition adds that the defeated demon Śūrapadma was split into the peacock and the rooster on his banner. *Usual reading:* the peacock eats snakes, so it means vi …

Sītā is usually remembered for endurance. The Vālmīki Rāmāyaṇa records something sharper: a woman who argues her way into exile, refuses her captor, refuses revenge, calls the fire…

… ūri's Prakrit text has no fire ordeal after the war at all: Padma (Rāma) accepts Sītā back in Laṅkā itself. The abandonment comes later (parvas 93–94), framed not by a washerman's …

Viṣṇu asleep on the causal waters, a lotus rising from his navel, and Brahmā born on it with no memory of where he came from — the Bhāgavata's account of creation, and why it makes…

Four children of the same sage, the same forest, the same terrible discipline — and four boons that reveal what each of them actually wanted. The Rāmāyaṇa's own account of how its …